10 Cloverfield Lane.
This was reviewed above, but I was disappointed with it. I read a lot of thrillers that are way more twisty, and there are so many missed opportunities in this. The last movement is pure silliness, and the early scenes, while extremely well-made, didn't produce as much heat as something like Don't Breathe.
This has all the hallmarks of a good thriller. John Goodman is, as always, very good. But it's a sort of strange hybrid that loses itself in the last fifteen minutes or so. It should've stayed in its lane, but Hollywood is usually loathe to make a straight-faced thriller. They go for SFX and the big budget whenever they can.
Skip.
This was reviewed above, but I was disappointed with it. I read a lot of thrillers that are way more twisty, and there are so many missed opportunities in this. The last movement is pure silliness, and the early scenes, while extremely well-made, didn't produce as much heat as something like Don't Breathe.
This has all the hallmarks of a good thriller. John Goodman is, as always, very good. But it's a sort of strange hybrid that loses itself in the last fifteen minutes or so. It should've stayed in its lane, but Hollywood is usually loathe to make a straight-faced thriller. They go for SFX and the big budget whenever they can.
Skip.
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